COURSE TITLE: CREATIVE WRITING
GRADE
LEVEL 9-12
REVISED
JUNE, 1996
ENGLISH
DEPARTMENT
DURATION:
ONE SEMESTER
COURSE
IS: ELECTIVE
PHILOSOPHY
The
Creative Writing program will provide a forum for students to pursue excellence
in the writing of essays, poetry, narratives, and short drama, as well as to
provide an outlet for the expression of literary talent.
GOALS
Ø To provide opportunities
to discover the possession of imagination and creative literary talent
Ø To reinforce and apply
basic elements of literary forms and techniques from a creative point of view
Ø To communicate
effectively through thinking creatively, logically and critically
Ø To become self-directed,
lifelong learners and writers by using the disciplines and techniques of the
creative writing process
Ø To increase sensitivity
to human relationships and experience and develop the appropriate emotional
responses
Ø To enhance student
appreciation and literary enjoyment through the creation of various forms of
literary expression
COURSE PROFICIENCIES -
THE ROLE OF THE STUDENT
Participation in the Creative Writing course of
study will require each student to:
Ø Pursue excellence in the
writing of essays, poetry, narratives, and short drama
Ø Keep a daily journal of
observations to expand one's view of human nature, one's self, and one's
attitude toward life
Ø Develop a portfolio of
writing exercises
Ø Explore contemporary
literature as a source of technique models
Ø Explore his/her own
values to become aware of point-of-view
Ø Demonstrate excellence
in one genre through a final writing project of publication quality
Ø Submit work to The
Arrowhead (school newspaper), and other publications or literary contests
Ø Follow the
"Standards in English" Guide for all written assignments
Ø Meet all attendance,
grading and discipline requirements as listed in the "Burlington City High
School Student Handbook"
ASSESSMENT
Ø Assessment will measure
proficiency in all types of learners. As appropriate, students will be assessed
using:
v Notebook evaluation
v Journal evaluation
v Portfolio evaluation
v Oral tests/quizzes
v Conferences
v Writing Tasks
v Essays
v Oral responses
v Role playing
v Presentations
v Inventories
Ø Product outcomes may
include:
v Poetry
v Narratives
v Enactments
v Role playing
v Editing
v Video productions
v Posters
v Dramas
v Essays
v Auto-biographies
v Projects
v Portfolios
v Oral presentations
v Drawings
Ø Critical Thinking
Skills—tasks to be assessed which emphasize higher level thinking include:
v Discerning a pattern
v Grasping a concept or
purpose
v Inferring a relationship
v Creating
v Exhibiting
v Disproving, revealing or
proposing solutions
v Empathizing
v Persuasion
v Simulation
v Evaluation
v Judging
v Rating
v Shifting perspective
(comparing/contrasting)
v Negotiating
LEARNING OBJECTIVES
Ø To discover sources of
motivation for creativity
Ø To investigate one's own
background in order to know oneself
Ø To grasp and apply the
concepts of universality and individuality in all forms of art and creativity
Ø To grasp and apply the
basic principles and techniques of structuring one's own poetry: imagery,
rhythm, tone, mood, stanza forms, rhyming patterns, figurative language, free
verse and blank verse
Ø To grasp and apply the
basic principles that govern the structure of the short story and other
narratives: unity, characterization, conflict, plot, values, setting, theme,
mood, tone, style, structure, narration, point-of view, and figurative devices
Ø To develop an awareness
of the importance of a personal record of inspiration
Ø To grasp and apply the
basic principles of a short play: conflict, suspense, characterization,
dialogue, stage directions, structure, beginning elements, middle elements,
resolutions, production notes, and production techniques
Ø To heighten one's
appreciation of what makes for acceptable poetic expression, drama, essay and
narrative writing
Ø To develop critical
skills in evaluating plays, stories, essays and poems
Ø To develop vocabulary,
reading, writing, and critical thinking skills
ACTIVITIES
Ø Keep a daily journal of
observations
Ø Conference regularly to
discuss the merit of the journal entries
Ø Keep a notebook of
lecture and reading notes
Ø Create lists of colors,
odors, light, objects emotions, expressions, body movements, etc. in categories
such as favorite, delicate, masculine, feminine, weird, fancy, grotesque,
etc. Then select one item from each of
four lists and imagine a place that could have all four things; this could be a
setting for a play or short story
Ø Research objects,
people, names, titles, etc. for use in characterization
Ø Create conflict and
consequences scenarios. Invent situations that have conflicts for several of
the following: a punishment, an accusation, a lie, a scary situation, avoiding
someone, etc. (see p. 17 of text).
Ø Read short stories and
plays to determine and reinforce structural elements such as type of conflict,
importance of consequences, type of character, mood, theme, resolution,
point-of-view, unity, etc
Ø Have each student write
the first sentence for a short story on a sheet of paper. Circulate each story
sheet in the class so that each student will add a sentence. The student must
honor the part of the story that has been generated before his turn and must
extend the action and character development established earlier in story. Read
aloud and analyze the development; have members of the class create an
appropriate title for each work. Rank the stories to help develop evaluation
skills. This sort of “Round-Robin” can also be done orally; it will be helpful
to record the story as you go.
Ø To get past
"writer's block", have the students close their eyes and center their
breathing. (See suggested activities p. 210 of text)
Ø Have each student
explore himself by making a list of his best, happiest, and worst situations; a
wish, a fantasy, a terrible fear etc. (See p. 211 -12 for more activities to
help the student gain self knowledge that will allow him to extend his characterization.) Following this activity, have the student
create a character who has defined values.
Ø Construct an imaginary
dream, such as might come to one of the following:
v A cat sleeping in the
sun, with flies buzzing past
v A two-year old child,
sleeping during a thunderstorm
v A very old man asleep in
the cold. There is a tap dripping nearby
Ø Have students write form
poems that limit syllables, rhythm, line length, shape, etc., such as the
cinquain, limerick, repeat-a-word, haiku, acrostic. etc.
Ø Read works of well-known
poets. Analyze the poems; have students write poems that model the style, theme
or structure.
Ø Write essays dealing
with school and student centered issues
Ø Develop a writing
portfolio of all student writing
Ø Submit at least one work
for publication in the school literary magazine, school paper, or some other
literary contest or publication
Ø Demonstrate excellence
in one genre through a final writing project of publication quality
MATERIALS:
Ø Primary Text:
v Writing Incredibly Short
Plays.
Poems. Stories...Norton & Gretton Harcourt, Brace, Jovanovich, Inc. ISBN 0-15-312350-8
Ø Supplementary Texts:
v Teacher generated
materials
v Writing ... Scholastic
Scope Magazine
v Writing Description and
Narration...Norman
A. Brittin ... Holt, Rinehart and Winston, Inc.